Exhibit H1
The Butterfly. London: Fleetway House [Amalgamated Press]. No. 490. 31 January 1914.
Running downwards on page 4, “The Butterfly Picture Palace”, a “cinema” drawn since 1913 by Tom Radford more |
Exhibit H2
Comic Cuts. London: Amalgamated Press. No. 1605. 12 February 1921.
While most of the Amalgamated Press comics have one “cinema”, Comic Cuts has two, running down the sides of the centre pages more |
Exhibit H3
Illustrated Chips. London: Amalgamated Press. No. 1610. 9 July 1921.
Across the top of this dense centre-page spread runs “Chips’ Comic Cinema”,
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Exhibit H4
Chuckles. London: Fleetway House [Amalgamated Press]. Vol. 10, no. 1. 14 March 1914.
This week, “Chuckles’ Coloured Cinema” (“coloured” here meaning red-and-black) is showing a humorous “film” more |
Exhibit H5
Chuckles. London: Amalgamated Press. Vol. 8, no. 464. 25 November 1922.
“Chuckles’ Weekly Cinema” now appears on a black-and-white page, hence the change of name (compare H4) more |
Exhibit H6
The Funny Wonder. London: Fleetway House [Amalgamated Press]. Vol. 4, no. 157. 24 March 1917.
Announced as “Charlie Chaplin, the Scream of the Earth (of Essanay Picture Fame)”,
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Exhibit H7
Postcard. Photo of Charlie Chaplin. Essanay series. No. 4. [1916].
The world’s most famous screen tramp. During his boyhood years (the 1890s) in London, Charlie Chaplin had been a keen follower of knockabout antics
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Exhibit H8
The Firefly. London: Fleetway House [Amalgamated Press]. No. 56. 11 March 1916.
While his brother Charlie was appearing in The Funny Wonder, “Syd Chaplin, the King of Keystone Komiks” was knocking about in
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Exhibit H9
Cigarette card. Photo of Syd Chaplin. Wills’s Cigarettes Cinema Stars. 1st series. No. 4. [1928].
This small card depicts Syd Chaplin in his role as Old Bill in the movie The Better ‘Ole, 1926 more |
Exhibit H10
Production still. Tarzan. Film Favorites. No. 2. [1920].
Given away with The Funny Wonder dated 23 October 1920, this still shows Elmo Lincoln as Tarzan and Enid Markey as Jane in Tarzan of the Apes more |
Exhibit H11
Boys’ Cinema. London. Amalgamated Press. Vol. 7, no.171. 17 March 1923.
The front cover of this issue of Boys’ Cinema reproduces a still from the movie Catch My Smoke (1922)
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Exhibit H12
Postcard. Photo portrait of Tom Mix. “Pictures” Portrait Gallery. No. 139. [c.1920].
Given away with the British movie magazine Pictures.
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Exhibit H13
Film Fun. London: Amalgamated Press. Vol. 13, no. 558. 27 September 1930.
In autumn 1930 Film Fun featured Harold Lloyd (“The Pathé Mirth Merchant”) as its cover-page comedian more |
Exhibit H14
Postcard. Photo of Harold Lloyd. “Picturegoer” series. No. 32. London: 88 Long Acre. [c.1922].
From the first series of postcards given away with the British movie magazine Picturegoer more |
Exhibit H15
Film Fun. London: Amalgamated Press. Vol. 15, no. 750. 2 June 1934.
First appearing in Film Fun on 1 November 1930, and promoted to page one on 10 March 1934, the Laurel and Hardy characters
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Exhibit H16
Postcard. Photo of Laurel and Hardy. Film Picture Stories Star Series. No. 6. [1934].
Photocard given away with number 7 of the comic Film Picture Stories, dated 8 September 1934 more |
Exhibit H17
Film Fun. London: Amalgamated Press. Vol. 16, no. 925. 9 October 1937.
Two pages from a four-page serialised adventure strip “The Secret of the Hooded Raider” featuring Buck Jones (Universal Pictures) more |
Exhibit H18
Postcard. Photo of Buck Jones. A Real Photogravure Portrait. [1937].
Postcard given away with the British comic Film Fun in 1937, depicting popular American film star Buck Jones more |
Exhibit H19
Film Fun Annual 1938. London: Amalgamated Press. [1937].
Based on the Amalgamated Press comic, this is the first of 24 Film Fun Annualsmore |
Exhibit H20 a
Leaflet. Advert for the first number of The Kinema Comic. [London: Amalgamated Press. April 1920].
See exhibit H20 b for additional page.
This promotional flyer seems to suggest that the new weekly Kinema Comic would consist of undiluted “funniosity” more |
Exhibit H20 b
Leaflet. Advert for the first number of The Kinema Comic. [London: Amalgamated Press. April 1920].
See exhibit H20 a for additional page.
This promotional flyer seems to suggest that the new weekly Kinema Comic would consist of undiluted “funniosity” more |
Exhibit H21
The Kinema Comic Easter Holiday Number. London: Amalgamated Press. Vol. 13, no. 622. 26 March 1932.
On the front and back pages, a humorous strip based on the screen persona of silent-movie star Chester Conklin more |
Exhibit H22
Press photo of Chester Conklin. Issued by Paramount Pictures. Released 1928.
Date-stamped “Oct 3 1928”, the above photo has been retouched with a fine black pen more |
Exhibit H23
Tip Top. London: Amalgamated Press. No. 148. 13 February 1937.
Ken Maynard, “King of Cowboy Film Stars”, in an adventure strip entitled “The River of Flowing Gold” more |
Exhibit H24
Press photo. Film star Ken Maynard. Released 1938.
Although the photo is clearly date-stamped “Mar 18 1938” and “Mar 20 1938”, it may originally have been taken as early as 1933 more |
Exhibit H25
Larks. London: Amalgamated Press. No. 464. 12 September 1936.
The first episode of “The Cruise of the Sea Hawk”, drawn by George Heath, a serialised thriller featuring film star James Cagney
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Exhibit H26
Postcard. Photo portrait of James Cagney. Warner Bros. & Vitaphone Pictures. No. 75. [c.1935].
A British postcard without details of printer or licensed issuing firm. While James Cagney was a popular star in the 1930s more |
Exhibit H27
Jester. London: Amalgamated Press. No. 1868. 28 August 1937.
Following a series of “picture-dramas” loosely based on the screen persona of Gary Cooper (“The Trail of Vengeance”, “Sunken Gold”, etc.) more |
Exhibit H28
Jester. London: Amalgamated Press. No. 1920. 27 August 1938.
“They Made Him an Outlaw!” presents Gary Cooper as wrongfully outlawed Gary Graham in a “Wonderful Picture-Drama of the Wild West” more |
Exhibit H29
Postcard. Photo portrait of Gary Cooper. Colourgraph Series. No. C390. London: 85 Long Acre. [c.1935].
This hand-tinted photo of a young smiling Cooper was evidently taken many years before his unsmiling but Academy Award-winning performance in the classic western High Noon (1952) more |